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Wysłany: Pią 1:24, 27 Kwi 2007
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The thrust of Manhunters stands up quickly and doesnt quit until the credits roll. Some viewers might not be able to handle subject matter this big, but those relaxed enough to let Armstrong inside will find themselves satisfied, though they wont be able to walk right for days. Engaging characters, pounding action and surging metaphors fill all the right places from start to finish. Right from the opening credits to the thrilling climax, this is without a doubt a video of people having sex.
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The 600-room hotel included a drugstore, printing shop, carpentry and upholstery shop, and a photo lab. The Biltmore of the 20s also featured rooftop gardens and chicken coops. Guests were offered a choice of six different restaurants. Shortly after its opening, the Journal hailed it as the new tourist and social center of Providence.
The Hotel continued to be Providence's hot spot during the Big Band era of the 1930s and 40s. The Biltmore's Garden Room swung to the sounds of such famous orchestra leaders as Benny Goodman and Jimmy Dorsey. The dance floor was once turned into an aquarium, complete with live fish, for a performance by Esther Williams. For Sonia Henies ice show, the floor was frozen solid.
It was also the era of the Biltmores famous Bacchante Girls. Known throughout the country for their beauty and poise, these were the waitresses in the Biltmores hip Bacchante Room. The dining area was very intimate, with dimmed lights and mirrored walls. Seating sections were called banquettes, which were designed to hold between two and eight people. When one wanted to be served, one pushed a button to summon a Bacchante Girl. She would appear in her costume, which featured a diaphanous, see-through skirt. The bar area had a glass floor which was under lit with pink lighting, a feature which showcased the girls beautiful legs.
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Other adult studios agree. Another industry source told TG Daily, "Only bigger studios can afford Blu-ray, and even then it's not economical."
Could the adult industry's apparent decision to back HD DVD mark a decisive shift in the format wars? Much has been written about the war waged between VHS and Betamax beginning in the mid-70s. A number of factors played into the eventual triumph of VHS: Sony's refusal to license the format during Betamax's first few years, legal battles with the movie industry, the greater recording capacity of VHS (eight hours vs. five), and, perhaps most relevant to this discussion, the adult industry's embrace of VHS.
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Granted, Sony (the progenitor of Betamax) had a lot to do with that ultimate decision, essentially refusing to let its burgeoning format be sullied by pornography hawkers.
But nevertheless, when the adult industry gave the thumbs up to VHS, the result of the format war was pretty much a foregone conclusion.
What followed is now common knowledge. The explosion in the early 80s of VCRs and home-video rentals did for the adult industry pretty much what TV did for pro football.
Today, of course, there is a new format war at hand, one between two high-definition discs whose similarities far outweigh their differences.
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